from and with Antoniette Chaudron, Thomas Dechaufour Martine Fourteau Amaury Vanderborght Marcel Vidal Castells
staging Christian Lucas
light design Maëlle Payonne
costumes and scenography Saïd Abitar
broadcasting Sara Lemaire
duration 70 mins
techniques chinese Pole, trapeze, korean cradle, juggling, rope.
minimun age 8 years
photo credits Babshka Moonkovitch
In this show, which is designed to be in-camera, five people on the edge of oblivion are about to take the risk of confronting their individual stories with the Other, the mirror. Like the sum of the memories of which we are formed, the staging is based on the logic of hoarding. Old clothes, bulging trunks, filled with hints of a vague, shadowy past. Suitcases that could fall apart, like our fading memories, or grow into walls to create an acrobatic playground. This performance portrays the transition between being and forgetting.
In its 2nd creation, Poivre Rose tackles the wanderings of the memory and, inspired by the work of Christian Boltanski, highlights them by moving from the pole to the trapeze by way of the Korean cradle and corde lisse.
Faithful to the language suggested to it, Poivre Rose explores the topic with humour, finesse and a shifting viewpoint.
Poivre Rose was founded by artists from Quebec, Belgium and France. Antoinette Chaudron is a circus enthusiast since childhood, before becoming stage photographer for the company she collaborated with other important contemporary circus companies Thomas Dechaufour graduated from ESAC in 2009, he is a Chinese pole acrobat with a strong element of clowning art.
Marine Fourteau is an acrobat on the aerial barand co-founder of the company Marcel et ses Drôles de Femmes, aerial acrobatics quartet. Since 2013, they have been touring with theirs treet show Miss Dolly and their indoor show La femme de trop.
Amaury Vanderborght smooth-rope acrobat graduated from ESAC in Brussels, is the founder of the company Poivre Rose with Claudel Doucet. Marcel Vidal Castells, He started studying circus arts in 2006 in Barcelona at the Ateneu of Nou Barris. In 2009, he moved to France to start at ENACR,followed by CNAC as a catcher in the Korean cradle. He is the“Marcel” behind Cie Marcel et ses Drôles Femmes